White Shirt Monday: Chaise, not Chair

[The most emblematic thing about “Le nozze di Figaro”? – It’s not the Act I wingchair. It’s the Ac II winged seduction sequence. Who’s seducing whom – voi lo sapete? – Eléonore Pancrazi (Cherubino) and Vannina Santoni (Contessa) in Mozart’s “Le nozze di Figaro”, Paris/TCE 2019]

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