A 'La clemenza di Tito' tenim un repartiment ple d'especialistes en el cant mozartià. Entre ells, el tenor Paolo Fanale, la soprano Myrtò Papatanisiu o la mezzosoprano Stéphanie d’Oustrac.
— look I am not used to being centrally addressed by opera marketing campaigns, I am confused.
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10 thoughts on “#LaClemenzaLiceu (this is now a hashtag)”
excellent side effect of bi- or trilingual opera houses: double/triple the content.
Compuesto para celebrar la coronación de Leopold II, 'La clemenza di Tito' con visión de David McVicar y bajo la batuta de Philippe Auguin contiene algunos de los momentos más refinados y las arias más inspiradas de Mozart.https://t.co/JerlkwjKnD#LaClemenzaLiceupic.twitter.com/69GAHrBy4d
Clemenza Workout ( just collecting moodboard material here, don’t mind me):
💪 Cardio, velocitat, força i resistència. Així entrenen cada dia a les ordres del mestre d'armes David Greeves els integrants de la guàrdia pretoriana de 'La clemenza di Tito'.
that sword training video could use a few female guards, but it’s mesmerizing.
– and, yes, it’s February, it’s time to get to my annual outburst of embarrassment levels of lyric soprano fangirling. ;-D
(I rewatched the Paris Mitridate the other week. I am so not over that show.)
Queer Lorgnette 
excellent side effect of bi- or trilingual opera houses: double/triple the content.
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How do we get this person/department a raise in pay and a bigger budget?
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…the important questions of this week!
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Clemenza Workout ( just collecting moodboard material here, don’t mind me):
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Myrtò!
Also, I love that sword training video.
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that sword training video could use a few female guards, but it’s mesmerizing.
– and, yes, it’s February, it’s time to get to my annual outburst of embarrassment levels of lyric soprano fangirling. ;-D
(I rewatched the Paris Mitridate the other week. I am so not over that show.)
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I appreciate that they’re emphasizing safety and actually following real form traditions.
Oh, Paris Mitridate. It will have my heart forever!
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There is at least one female guard, no? Otherwise, I’m still stuck on Annio’s haircut 😀
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i think it is a man, too, but I stumble over them every time, too!
(and yes, nice haircut. so much better than WIGS!)
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cast interview:
https://www.lavanguardia.com/musica/20200217/473457549738/mozart-liceu-opera-tito-fanale.html
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