
‘Gay’ and ‘opera’ are often named in the same sentence. At times, they are almost used as indicative synonyms – a man who enjoys opera is by default gay, and for many gay men, being into opera is something that comes without asking. To this link between ‘gay’ and ‘opera’, we owe the fabulous figure known as the opera queen. (as far as examples go, I’d like to name my own baby brother. The Queen of the Night has nothing on him, except maybe eyeshadow and fake lashes)
Not just among viewers, also among people on the producing side of opera, there are a lot of openly gay men: directors, singers (more or less out) and even managers. A former colleague (a straight assistant director) used to put it this way: “There are straight opera houses, and there are gay male opera houses. And then there’s Innsbruck and Kiel.” (the latter two, at the time, apparently being under lesbian management).
Gay men and the arts – opera in particular – are linked by popular judgment. Just like gay men stand for being creative, well-dressed, the perfect shopping guide and overall a girl’s best friend (and thinking of my brother, I’d have to sign all of the above).
Lesbians, on the other hand, stand for bad haircuts, flannel and a general lack of humor.
Continue reading “Through Countess Geschwitz’s glasses. Lesbians at the opera.”